Ans. All screen prints are produced using Mastar inks on museum-grade fine art paper and all giclee prints ... When properly framed and kept out of direct sunlight, they are designed to retain their colour and detail for decades.

Ans. Giclée prints are high-resolution fine art reproductions created using archival inkjet technology, allowing for subtle tonal detail and painterly texture.

Screen prints are created by hand, with each colour individually layered through a stencil process. This gives them a slightly tactile, graphic quality and makes each edition feel more like an original object.

Ans. All limited edition prints are hand-signed and numbered. Edition sizes are kept intentionally small to maintain collectability and ensure each piece retains its sense of rarity over time.

Collectability is often influenced by the size of the edition, the materials used, and whether the work is signed by the artist. Smaller edition sizes and archival production methods are generally preferred by collectors looking for long-term value.

Ans. Limited edition prints are not reproductions in the traditional sense. Each edition is produced in a strictly controlled quantity, hand-signed and numbered. Once an edition sells out, no further prints are made, which helps preserve rarity and collectability.

Ans. Yes — screen prints are created through a manual layering process, with each colour applied individually. This gives each work a distinct physical presence and subtle variations that are not present in digitally produced reproductions.

Ans. All prints are sold unframed. Framing options are available for most works on paper. Frames are made using conservation-grade materials, including acid-free backing and UV-protective glazing where possible.

Ans. Prints are either flat-packed with protective layers or rolled in heavy-duty art tubes. Original paintings are carefully wrapped using protective materials to ensure they arrive safely.